The regency period is over and William Tudor, now King Henry IX, sits alone on the throne. But England must still contend with those who doubt his legitimacy, both in faraway lands and within his own family. To diffuse tensions and appease the Catholics, William is betrothed to a young princess from France, but still he has eyes for only his childhood friend Minuette, and court tongues are wagging.
Somewhere beyond the shores of England, a Pretender is mustering an army. He claims to be brother to the queen, and the true heir to the throne. But is he the lost boy sent into the unknown by his mother, the White Queen? Or a counterfeit prince – a low-born enemy to Henry Tudor and his York princess wife? When Henry Tudor picked up the crown of England from the mud of Bosworth Field he knew he would have to marry the princess of the rival house – Elizabeth of York – in an effort to unify a country divided by war for nearly two decades. But his bride was still in love with his enemy – and her mother and half of England still dreamed of a missing heir and a triumphant return for the House of York.
Luca Vero is a member of the secret Order of Darkness, tasked with searching out and reporting signs of the end of the world. Breaking his journey in Piccolo, he finds a place filled with superstitious fears: of the unknown, of the forces of the sea and sky, of strangers. With him are his loyal friend and servant, Frieze, and his clerk, Brother Peter, as well as the Lady Isolde and her mysterious servant-companion Ishraq. The five of them are followed into the town by a huge children’s crusade, led by a self-proclaimed saint. Its young leader promises that the sea will part before them, and allow them to walk dry-shod all the way to Jerusalem. Luca and Lady Isolde are swept up in the growing excitement; but something dangerous is brewing far out to sea…
I’ve been watching with interest the storm of controversy regarding author Hilary Mantel which started late last night here, and is still flooding my Facebook news-feed. The Daily Mail published this article with selected quotes from a piece by Hilary Mantel entitled Royal Bodies, in which she calls Kate Middleton a “plastic princess”.
As is to be expected, people are rushing to Mantel’s defense saying the article quoted her out of context, as of course it has. The Daily Mail does make a rather vague reference to Mantel’s original article half-way through or so;
England’s Tower of London was the terrifying last stop for generations of English political prisoners. A Dangerous Inheritance weaves together the lives and fates of four of its youngest and most blameless: Lady Katherine Grey, Lady Jane’s younger sister; Kate Plantagenet, an English princess who lived nearly a century before her; and Edward and Richard, the boy princes imprisoned by their ruthless uncle, Richard III, never to be heard from again. Across the years, these four young royals shared the same small rooms in their dark prison, as all four shared the unfortunate role of being perceived as threats to the reigning monarch…
Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice.
At the innocent age of fifteen, Lady Margaret Shelton arrives at the court of Henry VIII and quickly becomes the confidante of her cousin, Queen Anne Boleyn. But she soon finds herself drawn into the perilous web of Anne’s ambition. Desperate to hold onto the king’s waning affection, Anne schemes to have him take her guileless young cousin as mistress, ensuring her husband’s new paramour will owe her loyalty to the queen. But Margaret has fallen deeply in love with a handsome young courtier. She is faced with a terrible dilemma: give herself to the king and betray the love of her life or refuse to become his mistress and jeopardise the life of her cousin, Queen Anne.
She holds the key to a kingdom’s future! When young Mary Howard receives the news that she will be leaving her home for the grand court of King Henry VIII, to attend his mistress Anne Boleyn, she is ecstatic. Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King s fickle nature and how easily he discards those who were once close to him! Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare not disobey him. Yet despite all of her efforts to please him, she too falls prey to his cold wrath. Not until she becomes betrothed to Harry Fitzroy, the Duke of Richmond and son to King Henry VIII, does Mary finds the love and approval she s been seeking. But just when Mary believes she is finally free of her father, the tides turn. Now Mary must learn to play her part well in a dangerous chess game that could change her life and the course of history.
Meg Wyatt is pledged forever as the best friend to Anne Boleyn since their childhoods on neighbouring manors in Kent. When Anne’s star begins to ascend, of course she takes her best friend Meg along for the ride. Life in the court of Henry VIII is thrilling at first, but as Anne’s favour rises and falls, so does Meg’s.
Italy, 1453. Seventeen-year-old Luca Vero is brilliant, gorgeous—and accused of heresy. Cast out of his religious order for using the new science to question old superstitious beliefs, Luca is recruited into a secret sect: The Order of the Dragon, commissioned by Pope Nicholas V to investigate evil and danger in its many forms, and strange occurrences across Europe, in this year—the end of days.
Isolde is a seventeen-year-old girl shut up in a nunnery so she can’t inherit any of her father’s estate. As the nuns walk in their sleep and see strange visions, Isolde is accused of witchcraft—and Luca is sent to investigate her, but finds himself plotting her escape.
The Norah Lofts Anne Boleyn book was not even of my to-read pile. I found it when I went hunting through some boxes for a small pile of Tudor books I knew I had somewhere. I opened it to show Craig some of the colour plates, of which there are many. That is easily the best feature of the book, it contains several of Holbein’s portraits and a few Tudor artifacts thrown in here and there.
I decided to read the first page and this caught my eye